Burnkit2600 jamming at the Santiago Mini Maker Faire (photo by Sabrina Merlo)
“Qué haces?” I hear a young voice ask as I am setting up a Nintendo Game Boy and a circuit bent Texas Instruments Speak & Math underneath a huge yellow circus tent. My Spanish is not very good, but I know this means “What do you make?” My neighbors to the right are serving beverages from their Raspberry Pi powered drink machine. Eight wooden aboriginal figures dispense tea and juice via their tiny, but proportionally gi-normous wooden phalluses. To my left, people are lining up for a virtual hang-glider ride. Just outside the tent, a T-Rex is stalking a group of children.
I put my poor Spanish skills to use: “Hacemos música electrónica, y hacemos instrumentos musicales con jugettes antiguos y… otras cosas locas.” I give a quick demo of the devices in front of me, all of them at least a decade older than this young lad. His father joins him, still a little dizzy from the Oculus Rift hang-glider ride. “Ah! Game Boy!” he exclaims with a smile. We hear an adrenalin-powered eruption of terrified screams from the children outside the tent, their hard-wired fight-or-flight systems triggered by the charging Tyrannosaur.
Under the Big Top
My band-mate and partner in crime, Thomas Uliasz, is helping a teen fix the battery clip from the oscillator board she built at our Bleep Kit workshop yesterday. We are both operating on only a few hours of sleep. Two nights ago, we were up until 4am at the Maker Space- cutting, stripping and soldering wires in preparation for the workshop. Last night we were out partying; our gracious host, Tiburcio De La Carcova, took everyone out for amazing seafood tapas and delicious Chilean wine (Chile and Argentina have an ongoing rivalry as to who has the world’s best grapes). As I look out over the surreal scene in front of me now, I have to remind myself I am not dreaming. I make eye contact with Thom. We exchange a smile and a look that says: “Can you believe all of this? How did we get here?”
Entering the Santiago Maker Space for the first time
Rewind to late September, 2013. The New York Hall of Science in Queens, NY: site of the 1964 World’s Fair. The 2013 World Maker Faire is in high gear. Thom and I are jamming and demonstrating our crazy hand-built music toys before the backdrop of the Mercury-Atlas and Gemini-Titan rockets, monuments of the great space race that continued to echo throughout our childhoods. Thom’s photo-sensitive TV synth is drawing many curious looks. Its complex waveforms manifesting as bright, fast-moving squiggles on an ancient cathode ray tube.
2013 NYC World Maker Faire (photo by Laura Cochrane)
We have a crowd of 20 or 30 people surrounding us. Half of them are children. One of the children can no longer contain his curiosity. He reaches out for the bright blue arcade button on the TV synth. “No, don’t touch!” his mother admonishes. “Yes, please DO!” I say, “That’s the whole point.” Thom shows him how to play the thing by waving his hand over the light sensor. I show the kids how to sample their voices into my circuit bent Casio SK-5 keyboard. “Hello!” “Pizza!” Before long, the children have taken over. They are pressing buttons, turning knobs, throwing switches with reckless abandon. I can no longer contain myself and I double over with laughter, cackling like a madman. This is insane!
A man in the crowd who looks like he could be Robert Downey Jr.’s brother is filming this madness on his phone. We exchange smiles and then he walks off to take in more of the Fair. In a few days, we would learn that this man is Tiburcio De La Carcova, entrepreneur, video game tycoon, and founder of the Santiago Maker Space in Chile. Later we would learn that he resembles Iron Man in every way except for the huge ego. He never took our business card or introduced himself. Instead, he reviewed his video, googled the logos on our band t-shirts, found our website, and emailed us with an offer we could not refuse: Come to warm, sunny Santiago for a week, check out the Maker Space and take part in South America’s only Mini Maker Faire.
Santiago Maker Space
Tiburcio founded the Santiago Maker Space along with 29-year-old industrial product designer Macarena Pola in February of 2012. It is a large warehouse space, a former hat factory in the heart of the city with two-story vaulted ceilings and huge windows in every wall that allow for plenty of natural lighting. Since then, it has blossomed into a large community with a core group of about 10 staff members, 25–40 paying members, and 70–100 volunteers who have received scholarships, most of them local young robotics students who helped renovate the space. The day after the Faire, I had a chance to sit down with the two founders and chat about the origins of the Maker scene in Santiago.
Ads for the Faire could be spotted throughout the city.
“Today, I looked at a very beautiful video, I found exactly the very first video when I saw this space for the first time,” he recalls. “I stepped into this space, filmed a 360, and I called Macarena, who was on vacation.”
“And he told me: ‘This is it!'” Maca adds. “He was so excited, he shouted: ‘I’ve found it! I’ve found it! This is the place!'”
Less than a year later, in December 2012, they organized their first Mini Maker Faire that drew in over 5,000 attendees. (This year’s Faire has doubled that number!) Tiburcio had already seen what was possible at the Maker Faire Bay Area two years prior. “Everything that we had done,” he says, “happened so fast. I said — what is the best way to end the year? Let’s make a Maker Faire!”
Santiago Maker Space co-founders Macarena Pola and Tiburcio De La Carcova
The team worked like crazy and did all the preparations in just a couple of weeks. Staff member Cláudia Gonzalez Godoy downloaded the Mini Maker Faire playbook and Call to Makers, translated them into Spanish, and posted them to the Santiago Maker Space website. Things had to move very quickly from there. “It was like this,” Maca describes, “you meet someone on the street, you say ‘Hey man, how are you?’ ‘Fine, and you?’ ‘Good, let’s make a barbeque! But let’s make it NOW!'”
“It was a prototype.” she continues, “None of us had ever produced an event that big, we were all inexperienced. We did everything ourselves: renting the tent, setting up the tables, hanging the flags…”
“The fact that we had this Mini Faire prototype with 70 makers, it gave us the confidence that we can actually grow bigger,” Tiburcio says. “It taught us a lot: What were the things that went wrong? What were the things that went right?” He goes on to say that even though they may have had some trouble with the tents, like the intense heat from the mid-summer sun, it was the content inside the tents, provided by the makers, that made South America’s inaugural Mini Maker Faire special.
Playing Mario 3 on a BMO built by Jota Jara Fernandez
Fast-forward back to this year’s Faire. You can tell they have learned a lot. The tents are air-conditioned. There are over 100 makers, including over a dozen that have been flown in from other countries.
I take a break from manning our table to see Jorge Crowe perform with his Laboratorio de Jugettes (Toy Lab). He had actually been in touch with us through burnkit2600.com over a year ago and used some of our information to build a Roland TR-505 based toy sequencer. It’s nice to finally meet him and see his creation in person. Gonzalo Frasca, a journalist from Uruguay with a PhD in video games sums it up: “It’s nice to finally connect his face to his IP address.”
The kids take over (again).
During our performance, we get a strange sense of déjà vu. The same thing is happening — kids are being drawn by curiosity to our weird instruments. It worked in New York, why wouldn’t it work here? I turn the Casio around so the kids can reach it. Thom offers his Mega Bleep to the child who had been eyeing it. That’s all the encouragement they need. I take a step back and survey the scene before me. There’s Tiburcio, wearing his ringmaster hat and watching the magic happen. He smiles and shakes his head as if to say: “You did it again!”
I got to ride Tiburcio’s badass electric trike. (photo by Pablo Guerra Volbonte)
After the Faire ends, everyone heads back to the Maker Space for a champagne celebration. Everyone is in high spirits because the weeks of preparation have paid off. This weekend’s Mini (or should I say … Mega?) Maker Faire was a smashing success. I’m geeking out on some random nerdy topic with Joaquín Aldunate and Pablo Guerra Volbonte, two of the Maker Space members who were a tremendous asset to us in the past week, as someone plugs their laptop into the stereo system and cues up 80s and 90s dance music on YouTube. A cheer fills the air as the music is cranked up. One of the girls grabs Joaquín and brings him to the dance floor. I guess the nerd talk will have to wait. “Bailamos?” I ask Pablo. “Sí!” he responds with a grin, “Con las chicas!” Rest assured, dear reader, we all danced until we could dance no more.
Santiago Mini Maker Faire
The Rhode Island Mini Maker Faire is this Saturday, featuring dozens of makers alongside the usual music and shenanigans of AS220’s annual Foo Fest. Each year we run a soldering workshop as part of the Faire; this year we’ll be making a hackable bytebeat player from Modern Device, the Byteseeker Junior.
The Byteseeker is an Arduino variant with a headphone jack, two pots and two buttons based on the Real Bare Bones Board. The code we’ll be using at the Faire is kind of like an iPod Shuffle for Bytebeat “songs.” What’s Bytebeat you ask? It’s a genre of 8-bit beatmaking that tweezes complex repeating patterns of sound out of one line math expressions. A more in-depth description may be found in this blog post, but here’s a quick video to give you an idea of what the thing sounds like:
Byteseeker Jr. from Shawn Wallace on Vimeo.
More on Bytebeat and the design details are available on the Byteseeker project page. The soldering workshops run through the afternoon until around 8pm; come on by and build your own Byteseeker kit!
In old CRT televisions, the deflection yoke is the device that controls the electron beam flowing towards the screen. It’s run by an internal circuit board, but also has external pins that control the horizontal and vertical axes. Electro-music user dnny exploited this design feature by connecting audio inputs to these pins.
Internal view of the CRT with exposed deflection yoke pins.
Please note that hacking an old television like this can be very dangerous. If you don’t know what you’re doing, experimenting can result in fire, explosion, injury, or death. That being said, this successful mod on an old portable TV results in some impressive visualizations when a synth is run through it. The post on electro-music gives detailed instructions on how to do this safely.
[via Palm Sounds]